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Document Type
Open Access
Faculty Sponsor
Lorraine Cox
Department
Visual Arts
Start Date
21-5-2021 4:00 PM
Description
The feminization of needlework under patriarchal systems of power and oppression has reinforced both long-standing feminine stereotypes and temporal sociocultural ideals. As a tool of patriarchal oppression, needlework has been used to confine women to the domestic sphere by teaching them to stay in the home, be quiet, and follow a pattern; as an educational instrument, needlework reinforced standards of women's behavior, aptitudes, and conduct. However, women for centuries have silently resisted and subverted these expectations and ideals through the very same means. Women have utilized needlework during times of crisis and collective trauma for centuries as both practicality and means of expression. Starting in the second-wave feminist movement, female artists fought for the recognition of needlework as high art, a category which the craft was explicitly excluded from since 1768 by The Royal Academy in the UK.
Reaping What They Sewed: Embroidery in Politics and Art
The feminization of needlework under patriarchal systems of power and oppression has reinforced both long-standing feminine stereotypes and temporal sociocultural ideals. As a tool of patriarchal oppression, needlework has been used to confine women to the domestic sphere by teaching them to stay in the home, be quiet, and follow a pattern; as an educational instrument, needlework reinforced standards of women's behavior, aptitudes, and conduct. However, women for centuries have silently resisted and subverted these expectations and ideals through the very same means. Women have utilized needlework during times of crisis and collective trauma for centuries as both practicality and means of expression. Starting in the second-wave feminist movement, female artists fought for the recognition of needlework as high art, a category which the craft was explicitly excluded from since 1768 by The Royal Academy in the UK.